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| genomixer...version 092 |
genomixer...version 097 |
genomixer...version 0102 |
The Genomixer Series is a collection of generative audiovisual net artworks created using DNA data derived from the artist’s own genetic profile. Developed between 2000 and 2003, the works transform biological code into interactive, nonlinear DNA self-portraits, exploring the relationship between genetics, identity, technology and artistic authorship.
The custom software allows users to cross-reference patterns within the genome sequence and generate new combinations by mixing and recombining chromosomal data in real time. Genetic sequences inform the imagery, sound and generative algorithms, creating an evolving environment in which biological information becomes a material for artistic experimentation.
Presented online as netart and then on interactive touchscreens, the installation creates an immersive space of code, sound and moving images. Visitors can explore the data and generate their own variations. Pressing the {P} key produces a printed Genomix, extending the digital work into the physical gallery as images accumulate on the walls and across the floor. The installation connects genetic information, computational processes and physical space, making the act of generating and interpreting biological data part of the artwork.
The series includes several versions with different relationships to the source material. Version 092, made in 2000, was an early prototype that did not use the artist’s actual genetic data. Versions 097 and 0102 incorporate data from the sequenced DNA sample, transforming the artist’s own genome into a generative system for images and sound.
Created at the intersection of early net art, biotechnology and generative software, The Genomixer Series considers the genome as both a biological record and a source of creative possibility. It raises questions about the interpretation, manipulation and ownership of genetic information, anticipating later debates about personal data, bioinformatics and the digitisation of the human body.
Acknowledgements
Thanks to Amanda Fisher, Kate Michaelides and Ruth Williams for their scientific and technical advice, and special thanks to Ghislaine Boddington, Andrew Ward, Debbie Lander and the team at Future Physical.
Scientific acknowledgement: DNA source material and related scientific resources were provided with thanks to the MRC Clinical Sciences Centre, Faculty of Medicine, Imperial College London.
Availability: The custom software system and associated computer files are available for exhibition. Files and setup instructions can be supplied to galleries and curators on request.
EXHIBITIONS.
Test Portal Gallery Amsterdam Holland 2009
Novosibirsk Exhibition. State Museum, Siberia.2007
Dana Centre. London 2006.Code by Zero01 Canada.2005
Jerwood Space, Cut and Splice. London. 2005
Scope Art Fair UK 2004
Samsung Media Centre Korea 2004
Futuresonic 04 UK 2004
Soundtoys at ICA London
Jerwood Space, Cut and Splice. London. 2005
EvoMUSART 4th Hungary 2005
Haifa Museum, Israel 2004
2000-2003
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